Feeds:
Posts
Comments

This afternoon, Blue Hill and the French Culinary Institute hosted a demonstration by chef Ángel León of Aponiente in El Puerto de Santa Maria, Andalucía, Spain, featuring his work with products from the ocean. León is the son of a fisherman and serves creative seafood preparation in his 25-seat fine dining restaurant, inspired by the great knowledge of the sea and its products that he gained going fishing with his father from an early age. I haven’t attended many modern cooking demonstrations about fish and seafood, so being able to learn from such a master, who is also a clear, organized, and charismatic speaker, was a truly special treat.

Chefs León and Barber with the translator

Chef León demonstrated three different techniques: olive pit charcoal fire, micro algae clarification, and cooking with plankton. He’s been working on those things for a while and has presented aspects of them before, but it was great to see it in person. He also unveiled a machine that has not  been presented in Spain yet.

Throughout the demo, which was hosted by Chef Dan Barber, León made his commitment to sustainability (without using the term), responsible behavior, and preservation of cultural heritage very evident. After having spent a lot of time on fishing boats he was appalled that 80 percent of the fish caught in nets as byproduct was thrown back to the sea because customers want “glamorous, name fish.” He said that fishermen don’t have time to think about marketing names for the unknown fish. Seeing this made him want to make use of those 80 percent. Because of his relations with fishermen, they know to not toss back certain fish and bring them to him instead. He said that the chefs who work with such fish want control over the process and don’t want to buy it back from the market already fabricated. A lot of the fish are small and so hard to control once filleted, which prompts the need for other techniques. He takes primal cuts of those small fish, marinates them in salt to make them firmer, then wrap them in plastic wrap, which turns the fish into something that can be controlled. He plunges it 1 minute in boiling water then chills it on ice. The fat coagulates and allows him to then cut and serve the fish however he wants to. He used mackerel that way, for example, and said that with this method he can then serve it sashimi style, cook it a la plancha, etc.

Chef León and fish

I missed the very beginning of his presentation because I was stuck in a meeting, so don’t know exactly how he started it, but he was cooking fish over an olive pit charcoal fire, which he was heating up with a blow dryer (he presented that with Chef Andoni Aduriz at Madrid Fusion in 2008). Olive pits are abundant in Spain and make for a clean burning charcoal. I think that the fish might have been the mackerel prepared in the process described above but can’t be absolutely sure. He gave the above explanation afterward, but the fish he was cooking when I arrived looked just like the one he then sliced to serve sashimi style. We didn’t get to taste the fish cooked over the olive pits, but he said that it picks up the flavor. He used the same fire again later in the demo and just restarted it with the blow dryer.

Teasing the olive pit fire to cook fish

Then he moved on to micro algae clarification, which he developed into the Clarimax machine. He wanted to work with algae and did his own chemical analysis of them in his kitchen. He then developed a flour-like product from those micro-algae. He made a very murky broth (which can be meat or fish) and added some of that flour to it. Then he passed it once through a chinois lined with thick, brown paper (the one very often available in kitchens and used to wipe hands and counters alike). The resulting broth is completely clear. That process doesn’t require any heat and no flavor is lost. He buys that micro algae powder from a purveyor but said that it was nearly impossible to obtain.

Micro-algae powder

Micro-algae clarification process

Original and clarified broths

He then spoke about plankton, which they use for everything in his kitchen. He became interested in it but didn’t know how to get it out of the ocean. He decided to go out with a boat and use a special cloth that scientists use to get plankton for their research. After four hours he had only collected 2 grams of plankton, which, once he got it analyzed in a lab, was loaded with “everything from the periodic table.” So he decided to replicate the photosynthesis process and now grows his own, which he harvests every three months. Plankton has 30 times more omega 3s than olive oil, Chef León said. He makes a sort of liquidy paste with the plankton (lyophylized here because he had to transport it from Spain, but usually fresh), mineral water, xanthan gum, and a pinch of salt. That liquid can be used as sort of an instant fumet, by mixing some of it with water and a little bit of thyme. He demonstrated that particular use in a seafood risotto that is very typical dish of Andalucía.  He serves his version with clams from his area (he demonstrated it with oysters here because the clams are not available but said that they are not quite right for the dish, for taste and texture reasons) and egg white whipped with citric acide and lemon. The fumet and stock (he used both terms and I don’t know if it meant that in this case the traditional dish uses both—the translator was excellent but that part wasn’t clear to me) for the traditional dish require a lot of different varieties of fish and seafood, and must be made at least several hours ahead. He uses plankton instead, which is ready in seconds. The rice was first cooked with squid parts that are not presentable at markets because they are torn up and presumably some sort of fat and other aromatics. That part was done by a sous chef while he talked about something else. Plankton loses a lot of its characteristics when heated. It can’t be added to the risotto over heat because it is very rich in proteins and will coagulate. So once the rice is ready, they take it off the heat and stir in the plankton “fumet.” Chef León likened that to finishing a dish with butter, which gives it a familiar onctuousity. The “raw” plankton paste, which we sampled, has a very strong, yet strangely enjoyable flavor but the cooked one is more “commercial,” to use his term. We sampled the risotto, which was as good as any traditional seafood risotto I have ever eaten. The flavors were multi-layered and rich and the consistency perfectly “creamy.”

Lyophilized plankton

"Raw" plankton paste

Risotto

Chef León then unveiled a machine that had been covered with a white cloth until then, something that he has been developing with a technology company in Andalucía for both home and restaurant use. He is very interested by “cold,” he said, and does work in that area, without using liquid nitrogen in the restaurant, however. Inside this machine is a liquid made of all-natural ingredients (he said we could eat it) that circulates and chills things very rapidly. The liquid is of course proprietary and he didn’t reveal any further details as to what it might contain. The machine doesn’t have a temperature dial, only a timer. One controls the chilling process by deciding how long to leave something in the machine. Because his restaurant is small, they don’t have much storage space. Having this machine allows for white wine to be chilled a la minute rather than being kept in refrigerators, which is necessary in a region where temperatures average 40 C in the summer. His sommelier also said that he didn’t like wines staying refrigerated for too long. With this, they can take a room-temperature bottle of wine to chilled in 2 minutes. They can also instantly make a bottle of wine colder if a diner requests it. The machine he showed only had one hole, for one bottle at a time, but the one they use in the restaurant has four holes, which each have their own timer. It’s great for a tasting, the sommelier said. Chef León started using the liquid to chill stocks by dropping plastic bags of them directly into it. The machine can also be used with solids; he freezes an apple, for example, and then shaves it onto cheese.

Chilling machine

Chilling a bottle of wine for two minutes

The hole in which the chilling process takes place

Controls

The demonstration concluded with a short video about a traditional way to fish tuna as they swim through the Strait of Gibraltar on their way to the Mediterranean Sea, where they spawn, from the Atlantic Ocean. Chef Barber spoke with great passion about this process, which goes back to Roman times. The fishermen use nets that let the fish best suited for spawning go through, which ensures that enough tuna reproduces. This is not the type of fishing that renders tuna an endangered species, Chef Barber insisted.

Two hours had passed but I could have sat in that room for many more to continue absorbing knowledge and passion. I guess it’s time to plan a trip to Spain.

Vacherin au Four

One of the best and simplest dinners you can have on a cold, snowy day is Vacherin au Four–a flavorful cheese that is baked until melted, and is then laddled onto boiled potatoes. Vacherin Mont d’Or, a cheese from the canton of Vaud in Switzerland, is the one and only cheese for such preparation, thanks in part to the round pine box in which it is sold. The soft cheese has a pale orange rind and is made from lighly cooked milk (“thermised,” per the Mont d’Or website). It has a strong flavor and smell, particularly if you purchase it on the riper side. It is only available in the winter months. In the US, order it through Murray’s Cheese, which sells it for $28.99 plus shipping. The price in Switzerland is about 20 CHF (but can be more than that depending on your cheesemonger or the weight of the cheese), so this is fairly priced, in my humble opinion, and worth every penny.

Rather than pouring the cheese onto potatoes, you can dip chunks of breads directly into it, as you would eat fondue. Vacherin Mont d’Or is also delicious raw and will make an unusual addition to your cheese platter. If you can get your hands on Swiss wines, a chasselas will be wonderful, but a dry riesling or a gewurtztraminer will be great too, as will a beer.

Vacherin au Four

1 vacherin Mont d’Or, in its wooden box, top of box removed
6 to 8 garlic cloves, or to taste
1/2 cup white wine
Boiled potatoes, to serve

Preheat the oven to 350 degrees F.

Wrap the bottom and sides of the vacherin in foil. Pierce the cheese a few times with a knife and insert the garlic cloves in the holes. Pour the white wine on top of the cheese and place in the oven. Bake it until a crust forms and it bubbles up, about 30 minutes.

Place the vacherin on the table, put a couple of potatoes in each plate, and let each guest pour the melted cheese onto the potatoes.

After the Nog

I will be making eggnog at a pot luck later this week, and so was looking for a cocktail in which to use the leftover bourbon. I wanted a simple drink that wouldn’t require the purchase of additional, expensive ingredients. A mint julep sounded good but too summery; I liked the idea of building my cocktail on muddled mint, however. Adding a flavored simple syrup to that base seemed like the right next step to a flavorful cocktail. Ginger came to mind as a natural complement to mint and bourbon, with its winter-appropriate hot kick. Vanilla would round up the flavor combination and pick up on the smoother notes of bourbon while also keeping the ginger in check. I use Buffalo Trace for cocktails, which is an assertive bourbon with a sweet, smokey flavor that pairs well with bitters.

After the Nog

About 7 mint leaves and 1 mint sprig
1/2 fl. ounce ginger-vanilla simple syrup (recipe below)
2 fl. ounces bourbon
4-5 dashes orange bitters (preferably Regans’ Orange Bitters No. 6.)

In a cocktail shaker, muddle the mint leaves with the simple syrup. Fill with ice and pour in the bourbon and bitters. Shake well, then strain into a chilled old-fashioned glass. Garnish with the mint sprig.


Ginger-Vanilla Simple Syrup

1 cup light brown sugar
1 4-inch piece of ginger, peeled and cut into thick slices
2 vanilla beans, halved and scraped

Bring the sugar, 1 cup water, ginger slices, and vanilla beans to a boil in a medium saucepan over medium-high heat. Continue to cook for about 2 minutes. If the sugar sticks to the sides of the pan, dip a pastry brush in water and brush the sides. Remove from the heat and let steep for 20 minutes.

Strain the cooled syrup into a plastic or glass container and refrigerate for up to 2 weeks.

Aperol Negroni

As a consolation for spending too much money paying bills, I ordered a bottle of Pappy Van Winkle Family Reserve 15 years last week. I firmly intended on buying nothing else, but got tempted by a bottle of Aperol, which has become a very popular cocktail ingredient. Both arrived yesterday but remained in their box. Tonight was another story, however: After a harrowing few days with hardly any sleep, a big deadline met, a successful meeting with the PR and marketing teams for Culinary Careers, I decided to reward myself with a cocktail (and a nap). I wanted to make a Negroni, because I spent time researching and writing about that and a couple of other Italian cocktails just yesterday and had a craving, but was out of Campari. Since it belongs to the same family of bitter Italian liquors, I decided to use Aperol instead. The result was a more mellow drink–Aperol only contains 11% alcohol, versus more than 20% for Campari–and a slightly sweeter one. Regardless, this variation is one that I will continue to make because it is delicious and perfectly hit the spot. You can shake the ingredients and serve them in a chilled glass if you prefer. Opening three bottles took all the energy I had left so I wasn’t about to go the extra mile, but I enjoy strained negronis in martini glasses, for example.

Aperol Negroni

1 fl. ounce Plymouth gin
1 fl. ounce Aperol
1 fl. ounce Carpano “Antica Formula” Red Vermouth

Place two ice cubes in an old-fashioned glass. Pour the gin, Aperol, and vermouth over the ice and shake the glass slightly to mix. Sip, relax, and repeat.

Cuisine Suisse

cuisine suisse coverMy mother sent me this new book on Swiss cuisine, published by Betty Bossi–the mainstay of Swiss kitchens in terms of recipes, I think I can safely say. The book offers “the greatest classics,” along with “new recipes from the market and typically Swiss ingredients.” The authors go on to state that they have also revisited some traditional dishes: “using the same products, we have created new dishes, while always preserving their authenticity.” This revisiting leads to such dishes as sauerkraut spring rolls, asparagus samosas, and a ramequin that takes the form of a cheese and bread pudding.

I tend to be rather conservative with the cuisine of my homeland, so these innovations made me cringe. When they are properly and smartly executed (meaning, when I see a purpose for the changes)–which is key–I have no problem eating variations on traditional dishes in restaurants, where I feel that the creativity and craft of the chef take them out of the possible realm of gimmicks to that of fine dining. In a cookbook aimed at home cooks, I find it more problematic, because it is harder to understand the intent of the authors. A dish like sauerkraut spring rolls feels like a gimmick, like “art” for art’s sake, like a dish that started in a list of “new” Swiss dishes rather than being driven by the goal of creating the best possible dish with sauerkraut. It might be delicious, and I am open to accepting that, but why should I make that rather than a traditional spring roll or choucroute? What do I gain, as a cook wishing to know how to cook Swiss dishes, by making such a variation?

This is a subject that is very dear to me in most aspects of my life: professional, academic, and personal. It is clear that I am biased as to where I allow changes to take place. I am probably open to changes in any cuisine other than my own. The books and articles I read, the talks I hear, the discussions I participate in as part of my academic life allow me to rationalize my reaction and laugh at it because it is ultimately hypocritical. But my gut reaction is one that wants to see sauerkraut piled up high in a steamy mound, not rolled up and crispy.

The key word in that last sentence is “see,” by the way. I don’t like sauerkraut.

Allspice Dram

A couple of weeks ago, we ended a visit to free Fridays at the MOMA with drinks and dinner at the Bar at the Modern. The drinks were particularly welcome after braving the crowds that take advantage of not having to shell out $20 for admission. I had a New Brunswick, which contains rye, lillet rouge, grapefruit, and bitters–a great combination that went really well with steak tartare and sweatbreads, cutting through the richness of both. But the true winner was Ron’s drink: Shot in the Dark, made of Cruzan 2-year Rum, lemon, Allspice Dram, ginger, and Gossling’s Black Seal rum.

allspice dram

image from DrinkUpNY

It was refreshing–but appropriate for a fall night–spicy, and complex. I ordered St. Elizabeth Allspice Dram and Gossling’s Black Seal rum as soon as I got home and have been looking forward to playing bartender. The Allspice Dram smells and tastes like you would expect: freshly ground allspice, evoking holiday baking and West Indian beaches. It is quite sweet and might work on its own as you would enjoy an herbal tonic.

Our workdays have stretched late into the night since then, however, not allowing us to risk the distraction and relaxation that a drink provides. Tonight, though, after watching a couple of bad movies and doing some work, I decided to make a quick cocktail. No lemon or ginger in the house, and no desire to make a simple syrup meant that my drink could be a complete fail. I put a few ice cubes in a shaker, about 1 ounce of Allspice Dram, 1.5 ounces of Black Seal, and 4 dashes of Regans’ Orange Bitters No. 6. I poured that into an old-fashioned glass and added 1 ice cube. The allspice taste was strong and made me instantly crave eggnog. While the dram is completely filtered and does not contain any allspice powder, it almost felt as if there were ground allspice in my mouth after each sip, which is not unpleasant, even though it might sound that way. Using less dram would make for a more balanced drink and I shall do that in future experiments. But this slightly sweet, strong, heady drink was the perfect end to a rainy Halloween night.

Green Curry

One of my favorite dishes to cook on a Sunday is a green curry loaded with vegetables and chickpeas or chicken for protein. It allows me to immediately use up some of the vegetables I picked up at the market that day and have plenty of leftovers for a couple of weeknight dinners, since it’s only better reheated. The initial recipe was inspired by Nigella Lawson, whom I had seen make one on the Style Network. It seemed simple and flavorful so I tried it, first making her exact recipe and over the months and years tweaking it more and more to make it my own. I posted a recipe for a Carrot, Potato, and Chickpea Green Curry on my website a few years ago. The one below, made tonight, is a bit different and less exact in its measurements; I might eventually write it up more precisely, but you can still try it and enjoy a very tasty dish.

Cauliflower and Chicken Green Curry

1-2 tablespoons extra-virgin olive oil
1 medium onion, chopped
1 medium shallot, chopped
2 medium cloves garlic, pressed or chopped
Kosher salt to taste
2 13.5-ounce cans coconut milk
2 tablespoons green curry
2 tablespoons fish sauce
Water if needed
1 medium head cauliflower, cut into small florets
1 red bell pepper, diced
2 chicken breasts, cut into thin slivers
Cooked brown rice to serve

In a large saucepan over medium-high heat, heat enough olive oil to coat the bottom of the pan. Add the onions, shallots, and garlic, sprinkle some salt, and cook until translucent, about 5 minutes. This process might go faster, so make sure to pay close attention and to stir frequently with a wooden spoon.

Add the coconut milk, curry, and fish sauce and stir to combine. Bring to a boil. If it looks like there won’t be enough liquid to properly cook the cauliflower (if your cauliflower is on the large side), add 1/4 to 1/2 cup of water. Taste and add curry and/or fish sauce if needed; this is particularly recommended if you add water, which might dilute the taste of the other ingredients. The liquid should be slightly thinner than a butternut squash soup.

Reduce the heat to medium and stir the cauliflower and bell pepper into the liquid. Add some salt to taste. Let the cauliflower cook for about 10 minutes, until it is about halfway done. Stir in the chicken and continue to cook for 7 to 10 minutes, until everything is cooked. The cauliflower should still have some crunch to it, unless of course you prefer it to be on the soft side.

To serve, put some brown rice into your bowl and ladle the curry onto it. Refrigerate the leftovers to enjoy throughout the week, reheated or at room temperature.

Follow

Get every new post delivered to your Inbox.